I’m ending an all too brief sojourn in Western Crete, just as Greece seems set to become Europe’s new experiment in post-democratic capitalism – its very own Interzone. Many, if not most, economists claim that the conditions cannot be met and that attempting to do so will shred Greece’s economic, social, educational and cultural life as much as the initial round of austerity.
Nonetheless, a bubble of ease is maintained here for those with euros. We who bask in the light and heat of the Aegean summer can condemn the deprivations heaped upon the Greek state and its citizens without having to experience them.
However factitious, this moment has allowed me to pause and think about some generous philosophical discussion of Posthuman Life on a number of excellent websites. These have forced me to think harder about the basic assumptions in of the book. So here begins a series of reflective responses to my commentators under the rubric of “Dark Posthumanism” – though, as shall become clear, my use of the d-word is seriously tendentious.
I should begin by citing Debbie Goldgaber’s excellent post on Speculative Posthumanism and dark phenomenology. This catalyzed an exchange between deflationary naturalists like Scott Bakker and those like Jon Cogburn or Goldgaber, who favour a deconstructive or “weird realist” construal of dark phenomena. This debate resurfaced during a lively discussion at the New Centre for Research and Practice‘s Posthuman Life 1 seminar, in which Debbie also participated. Its trenchancy was a surprise, although a welcome and productive one, which I’ll try to address in this post.
Meanwhile, the Philosophical Percolations Summer Reading group on PHL rolls on to Chapter 2 and 3 and the Ultima Thule of Unbounded Posthumanism! I should also bow to John Danaher’s fine clarificatory effort over at Philosophical Disquisitions. He has not yet addressed the role of dark phenomenology, but it will be interesting to see what he makes of it.
Scott’s interview with me over at Figure/Bound communications recapitulates similar tensions while holding me to account for the ethical commitments of the book. I think there’s a connection between the epistemological issues arising from the dark phenomenology hypothesis and the ethics and politics of becoming posthuman. These are taken up in B P Morton’s terrific piece on trans/posthumanism and transgender (also at philpercs) which I to return to in the sequel to this post.
So what’s the deal with Dark Phenomena?
On a first (and extremely shaky) approximation, there is a tension between a thin epistemological interpretation of Dark Phenomena – experiences that furnish no tacit yardstick for their description – and a weird reading that I hesitate to term “ontological”, since its presuppositions seem more difficult to articulate than the naturalist side.
On the epistemological reading, the dark side is a placeholder for structures of experience that phenomenology cannot elucidate without the help of science – in particular, psychology, neuroscience or cognitive science. Dark phenomena reveal the point at which the putative domain of phenomenology eludes the scrutiny of philosophical method. It does not imply any obscurity in principle, since what may elude phenomenology may be explicated in other terms.
On the weird (horror?) reading, the dark side must be understood via its disintegration or truncation of the subject: experiences of horror, alienation, humour or compulsion such as the spectral thing that, for Levinas, depersonalises the consciousness of the insomniac. As Cogburn points out, these incursions and eruptions in experience can be related to the late Idealist view that our experience of embodiment provides privileged insight into a pre-subjective Nature (Schelling) or a noumenal body that eludes representation. I think Eugene Thacker’s discussion of Schopenhauer in his book Starry Speculative Corpse captures the latter idea particularly well:
The Will is, in Schopenhauer’s hands, that which is common to subject and object, but not reducible to either. This will is never present in itself, either as subjective experience or as objective knowledge; it necessarily remains a negative manifestation. Indeed, Schopenhauer will press this further, suggesting that “the whole body is nothing but objectified will, i.e. will that has become representation” (122-3)
So darkness on the naturalist reading is a local problem for phenomenological method, whereas on the weird reading it is an obscure disclosure (“negative manifestation”) of something (some thing) that resists any form of representation or theory. It must also be contentless if it is to do the work of undercutting the claims of transcendental conceptions of the subject, whether phenomenological, existential or pragmatist.
So far this seems as if it might be almost consonant with Bakker’s take on dark phenomenology. As he writes in his commentary on Goldgaber, phenomenology qua method:
assumes we have a reflectively accessible experiential plenum to begin with, that we actually possess a ‘phenomenology’ worth the name. The problem, in other words, is that we have no way of knowing just how impoverished our ‘phenomenology’ is in the first place.
If phenomenology is dark then phenomenological method is at best incomplete and at worst benighted. For example, experienced temporality is as transcendent and inaccessible to us as the structure of matter. Phenomenology can never be more than a descriptive science of nature according to this account and should not aspire to a priori status since there is no good reason to think that its descriptions are authoritative. There are good empirical reasons for thinking that we take our judgements about the contents of our minds or experiences to be based on an unmediated givenness only because we are not mindful of the heavy lifting required to produce them. If phenomenology is dark we are, as Bakker implies, in the dark about the dark.
The weird reading might now seem a little shady. Even the metaphor of darkness is misleading if it implies a phenomenology of the “gaps in presence”. This would be feasible only if we already knew the structure of the plenum and (or so the argument goes) there is no good reason to think that we do.
This seems to warrant a cautious analogy between the thesis that there is a dark side to phenomenology and Derridean deconstruction, which, though drawing on the language of phenomenology, cuts it free of any secure domain by generalizing subjective temporality well beyond anything conceivable as a subject, to the iterable mark, to generalized writing etc. (PHL: 94).
Goldgaber imputes to me the claim that this structure, at least, is generalizable beyond the human:
were it possible to show that there are dark elements in our own phenomenology, experienceable but not amenable to description or interpretation, we would have grounds, Roden thinks, for understanding human subjectivity in terms of both its unity and radical difference or rupture from world–as dependent on structures that are shared by nonhumans.
I’m not sure that I go this far. I suspect a purer Derridean like Martin Haggelund might. But, like Bakker, I don’t see any reason to see why such claims are on securer ground. Their virtue is salutary rather than informative; exposing the indeterminacy of claims about structure of worldly agency and time.
On the other hand, once we take dark phenomenology (or Bakker’s blind brain theory) as serious epistemological proposals we seem confronted with a darkness without negation, not one contrary to the light side (which, by hypothesis, is already striated with it). And here one is almost tempted to say that harder-than-hard naturalism bites the tail of mysticism. In Speculative Corpse, Thacker distinguishes a metaphysical correlation (between thought and object) presupposed by philosophy from a mystical correlation that can only verify itself by breaking against an impersonal “divine” darkness (84-5) that can never be recuperated by thought. A similar failure of correlation seems to obtain here. Even the tools (concepts like plenum) with which we are attempting to think the absence of a proper topic for phenomenology have to fail us. A thought that reiterates its failure in this way obeys the logic of the mystical as Thacker describes it.
So while we may not have any knowledge of what we could share with unboundedly weird posthumans, or nonhumans of other stripes, we led into a defile that is boundless on either reading. Perhaps the deflationary reading is as weird as it gets. Perhaps as Bakker puts in Neuropath, we are all already “vast and terrible with complexity” . As the tagline to the novel states: you do not know what you are. You do not know what it is that does not know this. We do not know where the darkness ends, how far it extends. And perhaps it is this pervasive boundlessness that can provide a tentative opening beyond the human, freeing us, as Morton might say, to explore the near inhuman, the trans of alterable bodies and desires.
Or maybe this is too quick! It’s easy to make imaginary progress in a frictionless milieu. I’ll return to Morton in Dark Posthumanism II.
There’s a very interesting and instructive conversation between Daniel Rourke and new media artist Hito Steyerl at Rhizome. Reading Steyerl’s remarks on Renais’ and Marker’s migration from Celluloid to Web I imagined them evoking perplexity and amusement in cold degenerate matter storage long after the death of our sun.
There’s an epic flame war over at Three Pound Brain in response to Scott Bakker’s discussion of Levi Bryant’s Object Oriented Ontology. I’m sitting this one out like my hero Custard the Cat. In part because, I’m just too busy and in part cos’ I don’t want to distract Scott from the trudge to Golgotterath and the moral necessity of euthanizing our immortal souls.
You can hear my recent Anthropotech talk: Beyond Enhancement: Anthropologically Bounded Posthumanism at the Anthropotech Multimedia website here
The PowerPoint presentation is below
Semiconductor (Ruth Jarman and Joe Gerhardt) will be presenting a sound art piece using aggregated seismic data from around the world at Cafe Oto in London, Thursday 15 November (A new venue to me, but after a look at their website I’m intending to be a habitué). Also on are computer music artist Valentina Vuksic and Graham Harman, who’ll be presenting a short piece on the philosophy of sound. Looks like a great event so I’m semi-certain to be there.
My own non-Object Oriented take on sound can be found here Sonic Art and the Nature of Sonic Events