Deep into the morning procrastination ritual – reading two or more blogs and FB instead of the chapter I’m meant to be finishing – I realized that I had forgotten what I had been reading a minute ago. So I let my mouse hover over the IE icon on my task bar and hey presto! I saw a “mouse over” preview of the Discover Post on identical twins I had been perusing. Moral: the extended mind works, but it needs metacognition to patch its resources together.
Distracted from distraction by distraction T S Eliot, Burnt Norton
[A slightly edited extract from my paper "Nature's Dark Domain: an Argument for a Naturalised Phenomenology". Royal Institute Of Philosophy Supplement [serial online]. July 2013;72:169-188 with audio!]
Most listeners will readily distinguish an eight second sequence from Xenakis’ pioneering ‘granular’ composition Concret Ph.
and a loop that repeats the first one-second slice of it for eight seconds.
This is discernible because of the obvious repetition in pitch and dynamics.
Telling the looped sequence from the non-looped sequence is not the same as acquiring subjective identity conditions that would allow us to recognise the extra structure distinguishing the non-looped from the looped sequence in a different context (e.g. within the entirety of Concret Ph). What is discerned here is arguably a fact about the shortfall between type-identifiable phenomenology and non type-identifiable phenomenology (“unintuitable” or “dark” phenomenology).
As an illustration of this, the mere awareness that there is missing structure in the loop does not help settle the issue between virtualist and occurentist construals of that structure. It is plausible to suppose that the perceptual awareness of the missing structure in the Xenakis loop consists of virtual contents – a representation of tendencies in the developing sound rather than something like a constantly updated encoding of discrete sonic facts . Indeed the virtual model would be consistent with the widely held assumption that our representation of temporal structure is accomplished via recurrent neural architecture that modulates each current input by feeding back earlier input. But whether the contents of representations of temporal structure are virtual or occurrent in nature has no direct bearing on their conceptual or intuitive accessibility.
Tim Van Gelder, ‘Wooden Iron? Husserlian Phenomenology Meets Cognitive Science’, Electronic Journal of Analytic Philosophy, 4, 1996.
There’s a very interesting and instructive conversation between Daniel Rourke and new media artist Hito Steyerl at Rhizome. Reading Steyerl’s remarks on Renais’ and Marker’s migration from Celluloid to Web I imagined them evoking perplexity and amusement in cold degenerate matter storage long after the death of our sun.